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Tokyo, une rentrée
On un/real engine ―― 慰霊のエンジニアリング; Image Narratives: Literature in Japanese Contemporary Art; Stephan Balkenhol; Invisible Concern by Ismaïl Bahri; The Drowned World Anchor
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Wang Bing: The Man Who Knows Who He Is
Interview with artist and filmmaker Wang Bing
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Paris Part 2: Other Last Names
Cities: the Tentacular and the Sporadic
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Paris Part 1: Big Stuff
Musée d’Orsay: The Fear of Loving. Orsay through the eyes of Tracey Emin Centre Pompidou: BACON EN TOUTES LETTRES Fondation Cartier: Nous les Arbres
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LE CINÉMA EN MOUVEMENTS DEPUIS LA NOUVELLE VAGUE
About three years ago (?) I took part in a symposium in Paris at INHA (Institut National d’Histoire de l’Art) on movements in cinema that appeared with the advent of New Wave cinema. I spoke on Nagisa Oshima and recall with fondness Serge LePéron wonderful follow-up questions. Very pleased to see all contributions finally published.…
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An Imperfect Fairytale for an Imperfect World
Z’s review of the 2012 animation Mcdull: the Pork of Music for the film magazine NANG’s special program, Ten Years After. https://www.nangmagazine.com/ten-years-after-entries/zhang-yangyu
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City of Women
On Her Own Way: Female Artists and the Moving Image in Art in Poland from the 1970s to the Present, TOP Museum, Tokyo Modern Woman: Finnish Women Artists from the Collection of Ateneum, Finnish National Gallery, Tokyo National Museum of Western Art Piramide Building: Ota Fine Arts, Wako Works of Art, Perrotin: Maria Farrar/ Miriam…
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Women’s Piramide
On Piramide Building: Ota Fine Arts, Wako Works of Art, Perrotin: Maria Farrar/ Miriam Cahn/ Emily Mae Smith
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Art, Cinema, Thought _ Japan, France, China
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