S _ Z

S _ Z

Art, Cinema, Thought _ Japan, France, China

  • News
    • Dances for Camera: Merce Cunningham, Nam June Paik, John Sanborn
    • Videoformes 2021
    • Edi Dubien on France 2
    • Petri Dish
    • Gary Hill, Nam June Paik, and Peter Doig coming
    • Korea. Feb 20-22, 2020
    • A Different History of the Body in Japan
    • Paris +
    • LE CINÉMA EN MOUVEMENTS DEPUIS LA NOUVELLE VAGUE
  • Curating
    • Group Exhibition: 郊游/野遊び/An Outing
    • Rooms to Breathe 呼吸の部屋
    • THESE WAYS NORTH: TOMOKO KONOIKE u0026amp; EIKO SOGA
    • She Ate the Crumbs: The Other Nature of Women
      • She Ate the Crumbs: Post-Exhibition Questions
    • 満天星: You May be My Lucky Star
    • Postcards from Post America
    • Count the Waves
    • Her Prerogative
  • On Art
    • Readier Made than Done, a New Moon Rising _ Sincerely,
    • La Règle du Jeu _ Playground
    • 共同体の神話
    • ART as in Aesthetically Rendered Technology©? _ A Cluster of Sponsors
    • pour m’en déposséder aussitôt _ Dare you to call it feminism
    • 侠侣瓦苏尔卡氏和他们的录像艺术
    • Winter is Coming
    • Elena Knox and Androids at the Door
    • The Trek
    • Interview with Tomoko Konoike
    • u002du002du003cbu003eSEE MOREu003c/bu003eu002du002d
  • On Screen
    • TIFF x FILMeX 2021
      • Nice Weather _ Being Singular Plural
      • SPARE
      • Spectre
      • Crippled Avengers (殘缺)
      • An Era of Violence
    • The Exile _ The Bad Seed
    • Sons of the War
    • Now it’s dark_In search of light
    • Islands in the Stream: Navigating East Asia’s Content Platforms
    • On u003ciu003eUnder the Open Skyu003c/iu003e u0026amp; Interview with Dir. Miwa Nishikawa
    • Machine Vision
    • TIFF x FILMeX 2020: Walking Tall
      • Emotional Implosion: The spreading agenda of mainland pop culture
      • I Burn for You
      • Swimming Towards Home
      • I ran so far away…
      • The Love Boat
      • Goodbye, Hong Kong, Goodbye
    • Bespoken Word
    • Film Review: u003cIu003eAinu Mosiru003c/iu003e
    • u002du002du003cbu003eSEE MOREu003c/bu003eu002du002d
  • On Books
    • The Wrong Man
    • Happy Few or Happy Together?
    • Fear is the mind killer
    • Home un-Alone
    • IF I KNEW I WOULD TELL YOU
    • On Philippe Gonin, u003ciu003eSerge Gainsbourgu003c/iu003e
    • BFI Film Classics Series: All Aboard for Funtime
    • Book review: u003ciu003eRomance in Post-Socialist Chinese Televisionu003c/iu003e
    • The Fifth Element
    • Lost Children: From Mizoguchi to Miyazaki
    • u002du002du003cbu003eSEE MOREu003c/bu003eu002du002d
  • Publishing
    • @DC MINI, EastAsia.fr
    • Elephant films DVD booklets
    • @Turbulences Vidéo #108 | Barely in the Park, on Gary Hill’s exhibition u003ciu003eMomentombsu003c/iu003e
    • @Scope艺术客 | ICC媒体艺术中心:面向未来,停在过去
    • @Neocha | 陶土开花
    • @Turbulences Vidéo #106 | Dusk Ecology
    • @NANG | An Imperfect Fairytale for an Imperfect World
    • @Lettmotif | Mondes Du Cinéma
  • Pros u0026amp; Cons
    • PQP Archive
    • This Monkey’s Gone to Heaven
    • “Post-media Ecologies in Asia” Conference
    • Which Borders Would That Be: French and Chinese Voices and Anime
  • MYRRH
    • u002du002dAnnouncementu002du002d
    • Laura Garcia-Karras
    • Edi Dubien
    • Cathy Burghi
    • 温粥 Wenzhou
  • About
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  • YouTube
  • 2021-07-15

    Happy Few or Happy Together?

    Happy Few or Happy Together?

    on BFI Film Classics

  • 2021-06-20

    Now it’s dark_In search of light

    Now it’s dark_In search of light

    Nippon Connection 2021

  • 2021-06-02

    Dances for Camera: Merce Cunningham, Nam June Paik, John Sanborn

    Dances for Camera: Merce Cunningham, Nam June Paik, John Sanborn

    Online June–August 2021 San Francisco Museum of Modern Art

  • 2021-05-24

    温粥

    温粥

    “我是温粥。为自己编织命运的人。在所处的世界,感官常常被一些铺天盖地蔓延生长的力量所捕获。能用纯粹的纤维语言完整表达、描写它,是温粥所追求的。”

  • 2021-05-21

    Fear is the mind killer

    Fear is the mind killer

    On October Files, MIT Press

  • 2021-05-10

    ART as in Aesthetically Rendered Technology©? _ A Cluster of Sponsors

    ART as in Aesthetically Rendered Technology©? _ A Cluster of Sponsors

    rhizomatiks_multiplex, the Museum of Contemporary Art Tokyo, 2021.3.20-6.20

  • 2021-05-09

    Laura Garcia-Karras

    Laura Garcia-Karras

    Born in 1988, lives and works in Paris.

  • 2021-05-06

    pour m’en déposséder aussitôt _ Dare you to call it feminism

    pour m’en déposséder aussitôt _ Dare you to call it feminism

    Another Energy: Power to Continue Challenging —16 Women Artists from around the World, Mori Art Museum, 2021.4.22 – 9.26

  • 2021-04-24

    Cathy Burghi

    Cathy Burghi

    FLORESTER シリーズ & DESBORDADA シリーズ

  • 2021-04-19

    Edi Dubien

    Edi Dubien

    La belle saison シリーズ

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